How Underground FM Radio Saved Rock
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
Sabrina Carpenter’s Short n’ Sweet displays her ability to imbue pristine pop production with personal flair, sparking a long overdue breakout.
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
Fifteen years before a 20-something Bruce Springsteen sweated out his original sin in clubs along the Jersey Shore, there was the rock and roller Dion.
Manfred Mann doesn’t think he’s the best synthesiser player in the world, but he brings a distinctive voice to the old technology. Just keep AI out of music, dammit.
Soul singer Minnie Riperton made full use of her multi-octave voice and songwriting talent on 1974’s Perfect Angel, with her still-beloved hit, “Lovin’ You”.
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
Crash finds Kehlani playing to their strengths, establishing themselves as the reigning monarch of sultry, seductive, hot R&B.
The Loop emerges as a worthwhile musical journey in which soul-pop’s Jordan Rakei reveals some universal truths he’s unearthed in his ongoing life story.
On Blackgrass: From West Virginia to 125th St, Swamp Dogg interprets soul, funk, and jazz themes through the lens of bluegrass and Americana forms.
Jon Muq’s voice and presence come off as natural and unaffected. One has to listen carefully to appreciate the breadth and the subtlety of his talents.