How Underground FM Radio Saved Rock
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
With 2017’s Aromanticism, Moses Sumney negotiates the self as body and spirit and attempts to reconcile his emotions and sexuality with his religion.
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
Throughout Woodland, Americana songwriters Gillian Welch and David Rawlings underscore the sinews of relationships that are stretched but never torn.
What if they had a folk festival and nobody protested? Evanston, Illinois hosted its first folk festival without politics from its stages.
The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.
It would be unfair to put Moira Smiley’s work in a single box, but it seems fitting to note how fully she embodies the core ideals of contemporary folk music.
Caleb Caudle has a soft spot for the natural beauty of the South, its woodlands and memories of the people who live there, and that’s just part of the story.
Singer-songwriter Mark Ambor prefers the sunlight over the moon, literally and metaphorically. Living for today doesn’t have to mean forgetting the past.
Andrew Combs’ new album serves as the robin in spring, a sign that seasons have changed. It’s not a chronicle of happiness as much as a statement of normalcy.
Ekuka Morris Sirikiti’s work reminds us that he and his traditions are very much still here, not artifacts of old media but flesh and blood, spirit and sound.
The esteemed Newport Folk Festival has consistently challenged the notion of folk music. The 2024 edition continued to defy traditions.